• FILM
    • The World's Greatest
    • Forever Maybe
  • SOLO SHOW
    • The World's Greatest
    • 28: Still Fucked Up
  • Blog
  • Gallery
  • Testimonials
  • Tickets
  • About
  • Resumé
  • Contact
Judy Lei

Follow the Yellow Brick Road

  • FILM
    • The World's Greatest
    • Forever Maybe
  • SOLO SHOW
    • The World's Greatest
    • 28: Still Fucked Up
  • Blog
  • Gallery
  • Testimonials
  • Tickets
  • About
  • Resumé
  • Contact

So long 2016

2016 was one of the best and most painful year of my life.

It was the first year in my artistic career that I finally decided to do something about my dreams and put on a solo show, a story I've been writing for the past 2.5 years. It was the first time I experienced pain as an artist, where I was confronted with what it means to be an artist: making art isn't about just making art--it's a business, you have to be an adult and make a living if you want to be an artist. With the show, there was a lot of pleasure but also a lot, a lot of pain and loneliness. And to sum up what I've learned: being an artist means you can pursue your dreams that fulfills you on the inside; but being an adult also means you need to survive and make money to keep the dream alive.

There have been thoughts surrounding what it means to be an artist and be a grown up in the past, but it came to me face-to-face this year because I had to put on a solo show using my most of my savings through working at AALDEF, then spending the next three to four months crossing fingers hoping people will buy tickets and show up. In the end, people did. My gut feeling didn't lie to me.

In the beginning though, it was a sad and lonely journey. I found MC Jin (found = stalk) my director towards the end of January and started heavily rehearsing in front of my refrigerator. In February, I told my brother I'm putting on previews in early May and he told me I shouldn't do it. Why waste money on something that you don't know for sure would make you the money back? I did it anyway. Friends showed up, I got feedback (some great, some hurtful--but the hurtful ones made me reflect and think the most, and helped me during the rewriting process). I spent the next three months revising because I wanted to put on a few more shows for more people to come. In August, I did, and all the shows were sold out. This whole putting up the show was extremely stressful. If you easily crack under stress, which I was a lot of times, it will kill you (if not physically, then mentally). In the end, I learned that you have to believe in your project so much; and most importantly, believe in yourself so much that it fuels you to keep moving forward during the dark times.
The show also put a strain between my relationship with my mom. She came to the show, despite not being able to understand any of the show. A few days later towards the end of August, she asked me if this is something I'd like to do for the rest of my life, and when I answered yes, she told me to find a real 9-to-5. Why go on such a hard road and waste time and money? It was the first time I felt so much pain for pursuing something I greatly believed in, and it was also the first time I fought back. It was painful. It was so painful. But I can't imagine myself doing anything else, and so I will keep going. She can't stop me. No one can. Only I can stop myself. And I won't. I'm bringing the show to Los Angeles: heyjudylei.com/soloshowtour/losangeles in April (04.23.2017 to be exact). And P.S. long story short, I canceled the show in London. This opportunity did allow me to finally have the guts to travel on my own and to two places I've always dreamt of going to: London and Paris!!!)

2016 was the year I finally caved in to the typical actor stereotype of working at a restaurant. I work at Nom Wah Tea Parlor and it drives me insane being on my feet for so long and having to work with so many different personalities. The beauty of it all is the hustle. The nonstop hustle. It makes me feel alive and that's why I like it--even though I cry so hard sometimes in the bathroom or break room. But like my boss said, "you know what else is tough? Life is tough, so keep going." Seriously, keep going.

2016--looking back at all the pictures, a lot of great things happened, in which I accomplished everything I set out to do and more; but for some reason, I realized I spent the entire year being unhappy or indifferent (more like refusing to acknowledge all the good things that are happening and finally admitting how sad I am deep inside--thanks to Chris Gethard's solo show).

For 2017, I would like to practice being grateful and also acknowledge what I'm feeling and why I'm feeling the way I do. I also have a whole list of resolutions I've written down on my planner: worry less, kick ass during LA solo show, write another solo show, rewrite feature film / shoot feature film, be in more film projects, work out once a week, have treat-yoself time once a month, drink more water (I always fuck up on the last one :x).

I have a feeling I'll hit all of these goals in the upcoming year, so let's keep on keeping on, shall we? :-)

tags: lessons, emotions, acting, adulthood, artist, 2016, doubt, discovery, career, dreams
categories: Blog, Journey, Acting, Writing
Thursday 01.05.17
Posted by Judy Lei
 

Keep going

Yes, those are tears. So last Thursday, I was washing veggies in prep for dinner and my phone ding'd. I ran over to check, and it was from NY International Fringe Festival. Omg, I thought. The email took a while to load, and I was like please load faster, please. Then it loaded, and I got the notification saying that I didn't make it in, again. 

It burned. I don't know why but it hurts a lot more this time compared to last year's rejection. I think it's because I spent so much time rewriting it and developing it, and I thought it will grow my chances of becoming a part of this Fringe community. Like I wanted to make it so bad. But I fell short. 

But I don't think I fell short though. I wrote a 3-dimensional Chinese American character. I'm sorry I didn't write about struggling with my identity or looking to repair my relationship with my mother/father/family. It seems like those are Asian American themes, and I didn't write within that "Asian American Joy Luck Club" box. Not all of us are going through that shit, ok?

What I have is a badass chick. Like if I didn't tell you she's Asian or Chinese, it could've been anyone (has to be a person of color) from an inner city public high school. Like she talks hood because that's where she's from. She ain't afraid to show it and can seriously fight you if you mess with her. (But trust me, she ain't about to get suspended).

My friend once told me to not pay attention to festivals because those festivals don't define who you are as an artist (thanks E!). You are an artist and you made that piece of art because you want to tell and share that story. Having it in a festival doesn't mean anything.  Just keep hustling. Keep going ~

I'll sign off by saying that I'm still going to put this out in a theatre, open for the public in the Fall. Yassss to self-producing. Gotta believe in yourself before you wreck yourself.

Watch out world! I'm comin for yaaaaa!  :-)

Tears

Tears

tags: journey, acting, 2016
categories: Journey, Acting, Community, Writing, Blog
Monday 04.18.16
Posted by Judy Lei
 

CAAMFest 2016

Abe Ferrer from LAAPFF, Haisong and I from AAIFF, and Masashi Niwano from CAAMFest. I love these people. <3

Abe Ferrer from LAAPFF, Haisong and I from AAIFF, and Masashi Niwano from CAAMFest. I love these people. <3

First off, welcome to my new website. It took a lot of time to consider switching from Wordpress to SquareSpace. Alas, I did. It is awesome.

I just got back to NYC from CAAMFest around Monday, March 14~ midnight. Ok, now's the real deal: it's hard for me to admit, but CAAMFest saved me in a lot of ways. Before the trip, I kept thinking back on 2014--the first time I was at CAAMFest--about how in awe I was at their production, at their community, and at their mass of folks who came out to attend the festival. In 2014, I attended the festival with Rémy Martin to work with them to follow through on a sponsorship deal. In 2016, I'm thrilled to say that I'm with the Asian American International Film Festival in NYC. I felt like a little girl squealing on the inside being there because there were so many people who are an important part of the Asian Pacific American community, whether in the arts, politics, or plain ol' community organizing.

Haisong and I in front of the Castro Theatre -- CAAMFest's Opening Night venue.

Haisong and I in front of the Castro Theatre -- CAAMFest's Opening Night venue.

Haisong, the Program Manager for AAIFF, and I saw TYRUS, CAAMFest 2016's Opening Night Presentation. It was such a beautiful and touching film about Tyrus Wong, a painter and all around artist (he worked on Bambi but never got credited). He grew up at a time where not a lot of Asian Americans pursued the arts. He did it anyway because painting was something he loves to do. The crazy thing is: he's more than a hundred years old, and he was alive and there at the theatre! He's definitely an inspiration to all the artists out there because he said "I'm not that talented, but I work hard." Props to that!

CAAMFest'16 schedule

Alright, I think now is a good time for me to make a confession. Aside from attending Opening Night, MASTER OF NONE Panel, Festival Social Club, Filmmakers' Brunch, Digital Media Panel, and FAST&FURIOUS TOKYO DRIFT, I completely wrote down the wrong date for the Programmers Meetup. That meeting was key, in that festival folks from SF, LA, Philly, Boston, and San Diego talked about programming and how we can all work together in whatever capacity. I was such a dweeb in that I wrote down the date as Sunday, March 13 at 2:30-3:30pm, but in actuality, it was on Saturday, March 12. That move was a total fail move. Til this day I feel guilty. Because I had so much to ask and so much to soak in. I guess I'll get notes from one of those guys. 

IMG_8931.JPG
Kelvin-Alan-Master of None.JPG
Dari - CAAM.jpg

One of the highlights of CAAMFest was attending the MASTER OF NONE panel with Kelvin Yu and Alan Yang. I'm a huge fan of the show, so when news got out that the panel went to rush, and that there's no more industry tickets, I was like nooooo. I died a little on the inside. But luckily, I got in. (Thanks, Kelvin!) Just watching the PARENTS episode again and hearing them talk about their journey into acting/writing was pretty inspiring. Kelvin talked about how he held stereotypical roles and then one day realized the leading man can never be him, so he went into writing. Damn, that was real. Alan talked about his childhood, friendship with Aziz Ansari, shows he worked on over the years, and finally taking two years to craft and execute MASTER OF NONE. All their anecdotes remind me: making art and putting it out is a long and hard process / telling great stories = key.
One little crazy thing on this day: I bumped into Dari from Smith! OMG. Small freakin' world. She lives in SF now. She saw a film at CAAMFest and they announced the party at Slate. She came. We screamed cuz we haven't seen each other in such a long time. (Great seeing you Dari <3 :D)

Mission Dolores Park.JPG
IMG_8849.JPG
IMG_8896.JPG
IMG_8891.JPG
IMG_8893.JPG
BiRite Ice Cream.JPG
Castro Reveille.JPG
IMG_8956.JPG

Aside from CAAMFest, I took time to explore the Mission, the Castro, and revisit Chinatown. I saw Candy and Carmen from Smith, and Sabrina and Paul from UC PPIA. I haven't seen these people in almost two years, and I had a ball catching up with them. Not to mention, we had some great food and conversations. Mainly being almost going into our late twenties, where we're at in our careers right now, and how scary the future may seem.

So in the beginning of this blog post, I said CAAMFest saved me in many ways. I want to take time to write everything out. Before the trip, I had this weight on my shoulders. I don't know what it is, but I was stressed, anxious, and borderline feeling quite empty. What does doing work for Asian CineVision and writing that solo show really mean? I was lost. Really lost. Am I still at the same place I was in 2014? I kept thinking how I'm ever going to make a living doing both of these things I love. How can I explain it to my family and friends, and even if I explain it, will they understand? Everybody around my age, say 26 or 27 or 28, are finally settling into their jobs, traveling the world, or even getting married or at least boo'd up. I feel like I'm trailing so far behind in life. But then CAAMFest reminded me of something: it is the journey that matters. Art is a marathon, not a sprint. Art takes time. Life takes time. Time is now. Live in the present. Take it one day at a time. Ask for help. Stop worrying. Breathe. 

After this trip, I found a new sense of peace within me. The type of peace that allows me to know that everything is going to be okay. Everything, will be okay.

tags: CAAMFest, 2016, Asian American, film, art, cinema, community
categories: Acting, Blog, Community, Home
Saturday 03.19.16
Posted by Judy Lei
 

2016 hustle

Has it already been two weeks since 2016 arrived? Usually people write out their new years resolution the week before or the hour before the year ends. Me? I wait till two weeks later because... well... 2016 was off to a great start where I blacked out during New Years Eve, as in, I fell in the shower a few times and threw up like crazy the next day. In other words, a crazy hot mess. Sorry to everyone who had to witness that. 2015 was a crazy year, and it ended like how the year went: a mess. I'm never going to do that again and will carbo-load before. Promise.

Ok, 2016, let's see. This is going to be crazy or sound crazy, but my main hustle this year is to put on the solo show. Aside from a side hustle here and there to make some pocket cash, nothing else. Solo show, you be my main boo boo.

In the past, I committed myself to so many things that I put my passions and goals in the backburner. This year, nuh-uh! I'm gonna focus on me and pursuing the arts 100%. No. More. Distractions. And no one can stop me. What does this mean? It means I can't chill/frivolously spend money. Sorry, if you calling to chill, I'm gonna be like: "if I can't bring over a bottle of wine and some fruits or cookies, I ain't  coming."

Another thing is: I might be sassy for a while. The character I created is so damn sassy--sassy like Cookie Lyon from EMPIRE. She is scared, but she is driven. She needs to be sassy to get through tough times. I normally have a fraction of her sass, but these days, I'm honing myself to have more of that so that I can own more of her/the stage. It might change me, but it is a good thing. Time to let the inner freak out.

Speaking of freak(y), taking this next step is the freakiest. This is where I have to find a director to work with to refine the work. When you write something for the past two years, you think everything you write is awesome--or at least you're protective of it. But once you hand it over to the director, (s)he can add/subtract what you've already written. It's a collaborative effort, and it's an important one. It's gonna be tough to find someone who wants to work with this piece. I already reached out to someone whom I see fit, but will that person agree? I don't know. I really hope we can work out something amazing. Crossing fingers. Until then, please pray for me.

I'm also going to be in San Francisco in March 9-17 for CAAMFest and Los Angeles in April from April 20-29 for LAAPFF. If you're around, holla at ja gurl. Would love to see you. And do you have a couch or floor space? I need a spot to crash. Help an artist out. :-)

The hustle stays real in 2016. What is something you've always wanted to do creatively? Start in 2016, dammit. Just do that shizzzzz!

Ok?

Good.

tags: 2016, goals, hustle, solo show
categories: Acting, Blog, Journey, Writing
Wednesday 01.13.16
Posted by Judy L.
 

@heyjudylei